Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Portrait of Marie Josephine of Savoy Countess of Provence pointing to a bust of her husband overlooked by a portrait of her father

ID: 78745

unknow artist Portrait of Marie Josephine of Savoy Countess of Provence pointing to a bust of her husband overlooked by a portrait of her father
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unknow artist Portrait of Marie Josephine of Savoy Countess of Provence pointing to a bust of her husband overlooked by a portrait of her father


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unknow artist

  Related Paintings of unknow artist :. | Portrait of Louis XIV and his brother | Lady | och lilla varlden kunde ibland motas | Portrait of Painter Otto Ignatius | Sexy body, female nudes, classical nudes 07 |
Related Artists:
John Wootton
1682 - 1764 English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.
emil osterman
male model and pupils. ca. 1892 royal academy of fine arts
Valtat Louis
Dieppe 1869-Choisel 1952 French painter, printmaker and stage designer. He spent much of his youth in Versailles, moving in 1887 to Paris, where he studied under Gustave Moreau at the Ecole des Beaux-Arts and under Jules Dupre at the Acad?mie Julian. There he met Maurice Denis, Pierre Bonnard, Edouard Vuillard and Albert Andre. With a keen interest in both artistic precedents and contemporary trends, he absorbed in the mid-1890s the chief tenets of Impressionism, van Gogh's work and Pointillism before slowly developing his own style.






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